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Vanity Fair Novel By William Makepeace Thackeray PDF Free Download, Overview, Summary, Reviews, Get Book, Quotes, Characters, Videos, More By Author.
A Book That Follows The Lives Of Two Women Who Could Not Be More Dissimilar From One Another: Amelia Sedley, A Classmate Of Becky Sharp, A Typical Naive Victorian Heroine Who Is The Spoiled Daughter Of A Wealthy Family, And Becky Sharp, An Orphan Whose Only Resources Are Her Vast Ambitions, Her Native Wit, And Her Loose Morals.
The Only Child Of Richmond Thackeray (1 September 1781 – 13 September 1815), Who Held The Prestigious Position Of Secretary To The Board Of Revenue In The British East India Company, Thackeray Was Born In Calcutta, India. His Mother, Anne Becher (1792–1864), Was An East India Company Secretary (Writer) And The Second Child Of Harriet And John Harman Becher.
When William Was Five Years Old, He Had Previously Been Taken To England With A Brief Layover At St. Helena, Where He Was Seen The Imprisoned Napoleon. He Received His Education At Charterhouse School After Attending Schools In Southampton And Chiswick.
At The Age Of 54, I Am Now Reading Vanity Fair By William Makepeace Thackeray For The First Time. “Vanity Fair: A Heroless Novel.” I Don’t Agree With Thackeray. There Is No Denying That William Dobbin Is The Undeniable “Hero” Of Vanity Fair. This Book Is Not Becky Sharp’s Bildungsroman Or Coming-of-age Story. No, Ms Rebecca Sharp Was Born With The Will To Work Her Way To The Top. She Shouldn’t Do It, But She Can’t Help It—is She Really Any Different From The Rest Of Us? Not At All, No. Her Techniques Are Different From Those That You And I May Use, Or Are They?
I Found The Narrator’s Voice Throughout The Book To Be The Most Fantastic Aspect. It Seems Like The Narrator Stepped Back At Just The Right Time To Give Us, The Reader, Some Insight Or Little Lesson That Put The Acts Of The Fair Attendees In Perspective. Vanity Fair Is All Around Us, Yet We Often Don’t Completely Comprehend The Parts That The Participants Take On. This Voice Of Reason Roots Us And Helps Us Comprehend The Pleasure, Sadness, Joy, And Sorrow That Each Of Us Experiences As We Go Through Life. We Can Develop Our Skills To Become Better Spouses, Parents, Friends, And Partners If We Want To.
Also, I Discovered That I Can’t Completely Criticise Becky Sharp As I Read The Book. Becky May Not Be A Someone I Can Readily Like, But I Can Respect Her Since She Is A Strong, Great Lady. Strong-willed And Independent, A Bad Mother, But A Battle Axe For Those Who Confront Her. Mrs. Rawdon Crawley, Miss Becky Sharp, Is Dedicated To Experiencing Life To The Utmost Extent Possible. She Is A Lady With Purpose, Which Is A Characteristic That Not Many People Possess.
The Book Is Filled With Wit And Caustic Humour, And It Oozes With Sarcasm From Page To Page. The Characters At The Fair Are Us, Have Always Been Us, And Will Always Be Us, Generation After Generation, And Nothing Will Change; Just The Time Will Change, We Discover Via The Application Of Satire. Lord Steynes, Jos Sedleys, Old Osbornes, Mother Sedleys, Miss Crawleys, The George Osbornes, William Dobbins, And Amelias Will Always Exist. Thackeray Argues That It Is Our Responsibility To Ascertain The Best Ways To Deal With Them, Communicate With Them, And Coexist With Them. How To Best Love, Value, And Care For The Miss Becky Sharps In Our Lives, However, Is The True Problem. She Deserves To Be Saved From The Chaos And Whims Of The Fair, And We Deserve To Get To Know Her, Care For Her, And Respect Her For Who She Is.
Miss Sharp Ultimately Finds At Least Some Amount Of Atonement. She Alone Can Take The Speck Of Doubt Out Of Amelia’s Eyes About Her Affections For William Dobbin. Because Becky Sharp Does (Or Does She Not) Comprehend Honour, Virtue, And Integrity. Thackeray Ends His Piece Effectively — Because It May Be Said, “Vanities, Vanities! Who Among Us Lives A Joyful Life Today? Among Us, Who Has His Desire? Or Is Satisfied After Having It? Come, Kids, Let’s Put The Box And The Puppets Away Since Our Play Is Over.”
Vanity Fair, Which Was Published In 1848, Is A Fantastic Satire Of English Society At The Start Of The 19th Century. Thackeray Repeatedly Claims That It Is A Book “Without A Hero” And Makes An Attempt At Least Once To Make Amelia, A Kind Lady Who Unavoidably Comes Across As A Little Wishy-washy, Appear To Be The Heroine. I Believe Thackeray Is Being Deceptive Even In This Statement Since We All Know That A “Bad” Girl Or Guy Is Far More Intriguing Than A “Good” Girl Or Boy. This Work, Which May Have Been Called “The Rise And Fall Of Rebecca Sharp,” Has Becky Sharp As The Overt Anti-hero(Ine).
According To Thackeray, Humans Are “Abominably Greedy And Dumb,” And His Use Of Foul Language And Relentlessly Depressing Portrayals Of People’s Character Make This Point Evident. The Author’s Voice Is There Throughout The Whole Book, And His Sardonic Insights Definitely Help To Make The Book Quite Enjoyable. They Also Wanted His Readers To Learn Something From It.
It’s Interesting How The Author Often Criticises Specific Examples Of Female Behaviour Before Reaching Broad Conclusions About All Women. The Reader Is First Tempted To Comment On How Perceptive This Is, How Well Thackeray Understands Women, And How Uncommon And Welcome It Is To See This In A Male Writer Of His Age. These Views Are Always Critical, Although He Sometimes Does Not Apply The Same Rules To His Masculine Characters. The Males Are Seen Much More As Unique People Now. After Some Time, A Contemporary Reader Grows Uncomfortable With This; It Starts To Look Less Clever And Appropriate, And In Fact, Pretty Tedious.
“What Are Men’s Perceptions Of Women’s Martyrdoms? If We Had To Endure Even A Tenth Of The Everyday Suffering That So Many Women Humbly Bear, We Would Go Insane. Constant Kindness And Tenderness Met With Equally Persistent Brutality; Love, Labour, Patience, And Watchfulness Without Even The Acknowledgment Of A Kind Word; All Of These Things, Which Many Of Them Must Endure In Silence Before Putting On A Happy Face And Going About Their Business As Usual. Being Tender Slaves, They Must Must Be Gullible And Feeble.”
Of Course, It Is Obvious That Thackeray Thought His Readers Were Men When He Refers To “Your Wife,” “Your Sister,” Or “Your Maids” In His Personal Addresses To Them. Also, The Audience Will Consist Of Educated, White Men Who Own Property. The “Witty” Remarks About A St. Kitts Heiress And A Black Manservant Named “Sambo” Make The Current Reader Shudder. The Author Is Brutally Honest About All Of His Characters’ Biases And Flaws, But Since He Is A Product Of His Time, Society, And Class, He Is Blind To His Own And Complacently Believes That This Is The Only Position That Is Right.
Twenty Installments Of Vanity Fair Were Published Weekly. The Structure Is Not As Tight As The Reader Would Want It To Be, Similar To Previous Works That Were First Published In This Manner. There Are Large Portions Of Prose That Are Quite Flimsy Concerning Charades, A Play, Or A Fight.
Although Some Sections Are Incredibly Clever And/or Interesting, Others Feel Rather Ponderous Or Pointless. If Given The Chance, Writers Like Thackeray And Dickens (To Whom This Applied For Virtually All Of His Works) Would Undoubtedly Have Wanted To Revise Their Work, Or Even Rewrite Passages Or Change Characters.
To A Reader Of Today, It Seems Remarkable That They Survived Under Such Harsh Conditions. Due Of The Uneven Playing Field, It Is Unfair To Compare This To The Following Works That Are More Organised.
“Vanity Fair Is A Nasty, Silly Place, Full Of Humbugs, Pretences, And Falsehoods Of All Kinds,”
According To The Author. The Idea Of “Vanity Fair” Is Brought Up Repeatedly, Leading The Reader To Believe That Nothing Has Changed More Than A Century Later. Thackeray’s Observations Of Human Behaviour Are So Spot-on, And His Descriptions Of People, Places, Things,
And Hidden (Which Are Often Quite Different From Revealed) Intentions Are Ageless. And This Is Undoubtedly What Makes This Book A Classic, Along With Thackeray’s Delectably Dry Writing Style. If Thackeray’s Voice And Opinions Weren’t So Pronounced Throughout The Whole Book, It Would Have Been A Five-star Work Since It Is Really Enjoyable In Some Sections.
It’s Interesting To Note That Vanity Fair Only Ever Sold A Maximum Of 5000 Copies Of Each Monthly Issue. The Highly Regarded Author Charles Dickens Also Had His Book “Dombey And Son,” Which Was Being Serialised By The Same Publisher, Published At The Same Time. Soon, “Dombey And Son” Episodes Were Selling 40,000 Copies Every Month, Which Is Eight Times As Many! Yet Out Of The Two, Vanity Fair Is Arguably More Well-known Now.
Vanity Fair Follows Becky’s Journey From Working As A Menial Governess To Mingling With Lords And Ladies, Even Meeting The Monarch, And Beyond. The Story Is Told In A Sequence Of Related Chapters. The Book Also Reveals Amelia’s Lesser-known Narrative, Which Is About Her Doomed Romance With George Osborne, The Man She Has Been Betrothed To Since She Was A Little Kid. George’s Father Calls Off The Engagement After Amelia’s Father Declares Bankruptcy. The Forces Of Society Stand Out As The Main Enemy For Both Becky And Amelia. To Succeed, Becky Must Go Through The Rigidity Of Social Class And Its Rules. Amelia’s Adversary Is Also Social, Since It Is Challenging For A Young Lady With A Bankrupt Father To Wed A Guy From A Wealthy Family Due To The Allure Of Accumulating More Money.
Becky’s Presence At The Sedley Home Is The Triggering Event That Initiates The Main Storyline. When She Meets Amelia’s Brother Jos, She Makes Her First Effort At Marriage For Money And Position. She Rapidly Gets Involved With Amelia’s Family And Friends. When Becky Doesn’t Succeed In Winning Jos, She Keeps Looking For People Who Can Assist Her Achieve Her Objective Because She Bases All Of Her Decisions On What Has The Highest Potential Of Elevating Her Standing. The Crawleys, Including The Affluent Miss Crawley Who Thinks Becky Is An Equal, And Sir Pitt, Who Makes A Marriage Proposal, Become Friends With Becky After This. While Readers Are Not Privy To Becky And Rawdon Crawley’s Covert Union, This Incident Has A Significant Impact On The Couple Since It Results In Rawdon Being Disinherited By Miss Crawley.
Becky And Amelia Cross Paths Once Again As They Go To The Continent With Georgy, Jos, And Dobbin. They Restart Their Relationship, And Becky Resumes Being Captivated By Jos As If They Had Just Met. Dobbin, Who Continues To Mistrust Becky, Is The Only One Who Is Dissatisfied With This Turn Of Events. After A Disagreement With Amelia, Dobbin Makes The Startling Discovery That She Is Not Unworthy Of George, Not Because She Loves Him, But Because Of That. A Fresh Conflict Results From This Startling News As Dobbin Rejects Amelia By Going Back To England, Dissatisfied That He Has Spent His Whole Life Yearning For Her. Amelia Contacts Dobbin After Becky Admits That George Sought An Affair With Her. They Get Married, Have A Daughter, And Have Peaceful Lives Away From London. Jos Stays With Becky On The Continent, But He Passes Away From An Unknown Disease; It’s Possible That She Killed Him. As Becky Returns To England, She Adopts The Persona Of A Devout And Kind Woman.
The Closing Scene Of The Book Has Becky And Amelia Having One More Silent Rendezvous At A Charity Event. Without More Explanation, The Narrator Then Puts His Puppets Back In The Box. The Show Has Ended. The Ending Of Becky And Amelia’s Narrative Is Signalled By Putting The Puppets Away, But The Narrator, Who Has Intervened Throughout The Whole Story, Finally Leaves Certain Questions About What Happened And Why Unanswered. Both Women Eventually Find Happiness, But Neither Had The Life She Had Envisioned.
A Book That Follows The Lives Of Two Ladies Who Are Completely Dissimilar: Amelia Sedley, A Classmate Who Embodies The Stereotypically Naive Victorian Heroine And Is The Spoiled Daughter Of A Wealthy Family, And Becky Sharp, An Orphan With Just Her Vast Ambitions, Native Wit, And Loose Morals As Resources.
This Is My Recommendation For The 2020 Return To The Classics Challenge’s Classic Adaptation. We Are To Choose Any Book That Has Been Made Into A Movie Or Television Series, So I Choose To Read Vanity Fair And Watch The Acclaimed Bbc Series From 2018. This Family Drama, Which Took Place Between 1815 And 1830 But Was Serialised Until 1847, Quickly Fascinated Me. I Can See Why Thackeray’s Readers Could Have Been Anxiously Awaiting The Next Chapter. It Plunges Us Immediately Into A Web Of Intrigue And Scandal, And Even Whisks Us Away Briefly To The Battle Of Waterloo.
As Two Young Friends Leave Together In A Carriage After Graduating From Finishing School, Everything Begins. Although Though They First Seem To Be Close, It Quickly Becomes Apparent To The Reader That Their Only Connection Is The Fact That They Are Both Travelling For A Week To The Same Location.
Amelia Sedley Is The Loving Child Of A Successful Stockbroker. She Is Going Back To Her Childhood Home And Is Excited To Wed Her Sweetheart, George Osborne, In A Union That Both Families Have Planned Since They Were Children. Amelia Is The Kind Of Girl That Gets Taken Care Of And Influenced By Others’ Decisions Automatically. Amelia Sets Her Tender Heart Devotedly On Those She Loves, Blinding Herself To Their Flaws, Which Conveniently For Her Means That She Is Madly In Love With The Boy They Have Chosen. She Is The Kind Of Victim Who Always Crumples First When Things Go Wrong, As They Often Do In The Dog-eat-dog Regency Era. Amelia Is A True Example Of A Character From The Canary In The Coalmine. A “Harmless Lost Traveler Among The Vast, Struggling Crowds Of Vanity Fair,” According To Thackeray.
Her Friend Rebecca Sharp, An Orphan Who Relies On Her Street Smarts And Social Awareness Since She Has No Family To Watch Out For Her, Is The Opposite. Becky Has No Space For Useless Feelings Like Love To Make Her Vulnerable Because She Has Set Her Scheming Heart On Climbing To The Top Of The Social Ladder. She Excels At Playing On Other People’s Blind Spots And Giving Them What Would Most Enhance Their Vanity While Seeming To Be Kind To The Appropriate People. Yet When We See Her Monstrous Strategies For Achieving Her Goals, Our Admiration For The Underdog Who Knows How To Play The Game Turns To Horror. That Is What Makes This Novel So Entertaining. Our Own Sense Of Justice Is Stirred, And Discussing The Incident With Others Turns Into A Test Of Recalling The Precise Second We First Realised She Was A Dishonest Con Artist.
The Contrast Between Becky’s Callous Lack Of Love For Anybody And Amelia’s Smothering Excess Of The Same Emotion Directed Towards Undeserving Targets Is Always Interesting.
Before Accepting A Position As The Family Governess To A Baronet Named Sir Pitt Crawley, Becky Plans To Spend A Week With Amelia’s Family. She First Tries To Seduce Amelia’s Brother Joseph Before Trying Her Luck With The Crawley Family Since She Won’t Let Any Opportunity Pass. Rawdon, Sir Pitt’s Second Son, Is A Simple, Athletic, Macho Guy Who Enjoys Gambling And Expects To Inherit A Sizable Sum Of Money From His Well-to-do Aunt. This Makes Him Becky’s Next Target. Even If He Has No Idea, We Are Aware That He Serves As A Stepping Stone In Her Selfish Schemes. Yet When Becky’s Well Crafted Plans Backfire On Her, He Is Caught Up In The Mess.
Even Though Becky Is Obviously After The Gold, Innocent Amelia Makes Us Cringe For Other Reasons. She Has So Many Positive Attributes. She Is A Model Daughter And Sister, Selfless, And Patient. A Strain For Anybody, Much Alone A Selfish Brat Like George Osborne Or A Spoiled, Breezy Kid Like Their Son, There Is A Strong Sense That Thackeray Doesn’t Want For Us To Agree With The Way She Surrounds The People She Loves. She Is Filled With Emotion But Lacks The Ability To Recognise Worthy Objects. Even The Good Captain Dobbin Has Come To Realise That She Is Clueless And Not Really That Great A Catch When He Finally Wins Her Hand After Years Of Pleading For Her Love. The Text States It In This Way. The Tough Old Oak To Which You Cling Will “Grow Green Again, Gentle Tiny Parasite.”
Thackeray Continuously Demonstrates Throughout The Story How The Power Of Money Can Alter One’s Personality. Everyone With A Little Money In Our Society Is Suspicious Of Claims Of Devotion From Friends And Family Members. It’s Hilarious When Family Members Visit Grumpy Aunt Matilda Crawley Since She Can See Right Through Their Sarcasm. Miss Crawley Is A Cantankerous Grump Who Is Not At Least Lovable, And She Is Well Aware Of This. Maybe Her Sadness At Her Family’s Hypocrisy Keeps Her On The Cross, Creating A Vicious Cycle. The Story Keeps Us On The Edge Of Our Seats As We Wait To Find Out To Whom She Ultimately Decides To Leave Her Fortune.
As Becky Says, “I Could Be A Fine Lady On $5,000 A Year,” She Utters A Well-known Phrase. She Makes Us Ponder If Pure Need Turns Otherwise Good People Into Criminals Or At Least Unpleasant Company. With Wonderful Observations Like “An Alderman Returning From A Turtle Feast Would Not Walk Out Of His Carriage To Steal A Leg Of Mutton, But Send Him To Starve And See If He Will Not Purloin A Loaf,” Thackeray’s Narrator Makes It Easier For Us To Consider The Question. (If You’d Want To Compare, I Recall Thinking Something Quite Similar When Reading The Pickwick Papers By Charles Dickens.)
Nonetheless, The Subtlenuances Of The Book’s Supporting Characters Are What I Love Most About It. The Character Growth Of Others Whose Lives Are Entangled In Theirs Is Extremely Interesting Between The Changing Pendulums Of Our Two Flawed Heroines. Due To The Fact That, In Contrast To Becky, Rawdon Is Essentially A Decent, Normal Person, We Can See How Marriage And Fatherhood Have A Positive Impact On Him. We Watch As Their Son Discovers The Truth About His Mother With The Kind Of Childlike Precision That Takes Adults Years To Understand. We Have Captain Dobbin, A Quiet Man Who Satisfies All Of Thackeray’s Requirements For The Ideal Gentleman, Including Having “An Equal, Manly Compassion For The Big And The Little.” Also, Becky’s Awesome Sister-in-law Jane Crawley, Who Has Been Thinking About Becky’s Outrageous Behaviour With Us, Is Someone Who Knows When Enough Is Enough. They Are All My Favourites, Therefore It’s A Book I’ll Come Back To In The Future.
This Return To The Classics Category Encourages Us To Watch And Evaluate The Movie Or Television Show That The Book Is Based On, So I’ll Do That In A Separate Post And Link Back To This One. Watch For It Soon. A Brilliant Performance By A Writer At The Top Of His Game May Be Found In William Thackeray’s Masterpiece, Set In Regency England.
On This List, Vanity Fair Stands Out As A Great Victorian Book That Was Written And Published In The Midst Of A Golden Age Of English Literature. In Fact, Charlotte Bronte Even Dedicated Jane Eyre, Which Is Ranked No. 12 On Our List, To The Author Of Vanity Fair Since Thackeray Was So Powerful At The Height Of His Powers (Some Claim He Never Wrote As Well, Or As Sharply, Again).
One Hundred Years After The Publication Of Clarissa (No. 4 In This Series), Thackeray Still Believes In The Potential Of The Genre And Even Used Some Noticeably Subpar Woodcuts To Illustrate His Own Work. From January 1847 To June 1848, Vanity Fair Was Serialised (With Several Memorable Cliffhangers, Such As Becky Sharp’s Revelation Of Her Marriage To Rawdon Crawley). At Top Form, Thackeray Cheerfully Exploited An Exuberant Tradition, Surpassing All Of His Prior Writing Endeavours With Books Like The Luck Of Barry Lyndon (1844).
Early Versions Of The Book, Which Was Originally Titled “A Novel Without A Hero,” Lacked William Dobbin, A Fundamentally Admirable And Admirable Character Who Owes A Lot To Thackeray Himself. The Title “Vanity Fair,” Which The Author Came Up With In The Middle Of The Night While Lying In Bed, Really Comes From Pilgrim’s Progress (The First Book In This Series) And Refers To The Fair That Beelzebub And Apollyon, Two Devils, Organised In The Town Of Vanity. Contrary To Bunyan, Thackeray Was Not A Devout Christian; Instead, He Preferred A Life Of Luxury And Pleasure And, As Seen By His Letters, Found Much Of The Bible To Be Either Ridiculous Or Repulsive. Yet As Tom Wolfe (Who Also Illustrated His Own Work) Did In 1987 With “The Bonfire Of The Vanities,” The Title “Vanity Fair” Set The Tone Of The Book In Its Portrayal Of Society.
The Aim Of Thackeray Was Realistic And Satirical. He Intended For The Lessons Of His Story To Be Equally Applicable To His Own Times When He Wrote His Masterpiece In The Middle Of The 20th Century And Set It In Regency England During The Napoleonic Wars. In The Present, It Would Be Comparable To A Contemporary Literary Novelist Setting Their Scene During World War Ii Or The Blitz.
The Battle Of Waterloo Marks The Novel’s Climax. Thackeray Was Uncomfortable With Military Issues And Opted To Keep The Majority Of The Fighting Off-stage, In Contrast To Tolstoy, Whose War And Peace Was Influenced By Vanity Fair. Because Of This, Violent Outbursts Like The One That Leaves George Osborne “Lying On His Face, Dead, With A Bullet In His Heart” On The Field Of Waterloo Around The Halfway Point Of The Story Are All The More Shocking.
Being Well Aware Of His Audience, Thackeray Often Interrupts His Narrative To Tease And Buttonhole His Readers ( “This Chapter (8) Is Really Mild. Others – But We Will Not Expect Those”). Yet The Story Won’t Be Suppressed For Long. The Caddish Rake George Osborne And Clumsy, Decent William Dobbin Are The Ideal Match For Upwardly Migratory Becky Sharp And Her Lovely, Loyal Pal Amelia Sedley. Each Pair’s Social Trajectory Gives The Story An Almost Perfect Symmetry.
The Contrast Between Scheming Becky, One Of Fiction’s Greatest Female Protagonists, And Awkward, Obedient William, Whose Unwavering Love For Amelia Mirrors Thackeray’s Own Passion For Another Man’s Wife, Is Likely The Key To The Novel’s Magic, In Addition To The Joy It Takes In The Regency Pageant.
Eventually, Vanity Fair Is A Bravura Performance By A Writer Who Has Identified His Subject, For All Its Reality. Come Children, Let Us Lock Up The Box And The Puppets, For Our Play Is Played Out, As The Serialization Of The Book That Would Change Its Author’s Reputation Draws To A Close, Thackeray Himself Concluded His Story With A Nod To The Gaudy Theatricality Of The Entire Affair.
In Punch, Vanity Fair, Sometimes Known As “A Novel Without A Hero,” Was First Serialised. Bradbury & Evans Of Bouverie Street Then Published The Book In July 1848 Using The Same Typesetting. In 1853, A Revised And More Comprehensive Text With No Illustrations Was Published. The First Book By Thackeray To Be Published Under His Own Name Was Vanity Fair. In The Introduction To The 1848 Edition, Dated 28 June, The Author Acknowledges His Confidence In Himself Once Again “The Generosity With Which It Has Been Received In All The Major English Cities… Where It Has Been Most Favorably Noted By The Respected Editors Of The Public Press, And By The Nobility And Gentry. He Takes Great Pride In Believing That His Puppets Have Satisfied The Best Company In This Empire.”
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