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In The Core Of A Macabre Waltz Between Two Lonely Young Women In An Internet Chat Room In The Early 2000s, A Swirl Of Evil Churns—darkness That Threatens To Eternally Change Them If They Cave To Their Most Dreadful Impulses.
Eric Larocca (He/they) Is The Author Of Various Horror And Dark Fiction Works, Including The Viral Phenomenon Things Have Gotten Worse Since We Last Spoke. He Is A Member Of The Horror Writers Association And Presently Lives In Boston, Massachusetts With His Girlfriend. For Further Information.
I Don’t Frequently Use Words Like ‘disgusting,’ ‘depraved,”Shocking,’ And ‘twisted’ In A Positive Context, But Holy Hell, This Book Was Frightening In The Manner It Set Meant To Be. It’s Sadomasochistic, Hysterical, And Wild.
My Primary Caution Is That Once You Start Reading, You Won’t Be Able To Stop, So Make Sure You Have The Time When You Open This Up!
In The Core Of A Macabre Waltz Between Two Lonely Young Women In An Internet Chat Room In The Early 2000s, A Swirl Of Evil Churns—darkness That Threatens To Eternally Change Them If They Cave To Their Most Dreadful Impulses.
This Lovely Hardback Was Included In My Monthly Abominable Book Club Package, Which Is A Monthly Subscription Box Containing A Minimum Of Three Books/zines/secondhand Books Depending On The Plan You Pick.
I Received A Signed—yes, Signed!—edition Of ‘things Have Got Worse…,’ Which Has Three Of The Most Equisite, And Terrifying, Short Tales (Nearly Novellas) I’ve Read In Many A Year.
When Going Into The Misery And Consequences Of Identity, Grief, And Desire To Belong That Weave These Tales Together, Misfortunes Is A Subtle Understatement.
In The First Example, A Connection Formed Via A Wanted Ad Offers A Level Of Closeness And Understanding That Is Not Always Achievable When Meeting In Person. The Power To Re-invent Yourself And Convince Other Lonely Souls To Do Your Bidding Both Widens And Narrows The Gap Between Yourself And The Individuals With Whom You Are Interacting.
What Starts As A Careful Dance Evolves Into A Folie A Deux With An Ancient Apple Peeler At Its Centre (Pun Intended). Please Don’t Check Up What One Looks Like Before Reading The Narrative; Instead, Let Your Imagination Run Wild.
While The Tale Takes The Form Of Online Chatroom Chats Being Used As Proof Of Some Criminal Crime, Certain Aspects Are Withheld, Making You Feel Both Voyeuristic About Their Connection And Judgement On The Propriety Of This Kind Of Communication. When The Layers Are Stripped Away, Their Defences Are Exposed, Leaving Both Women Raw And Vulnerable. Or Do They? #
The Enchantment, The Second Story, Sets A Bereaved Couple Whose Kid Has Died Under Tragic Circumstances On An Island With An Abandoned Hotel, Restricted Access, And Lots Of Time To Reflect On Their Son’s Last Admonition To Them Both.
So, Who Is The Guy That Comes To Their Door? And What Is His Goal? Addressing Religious Symbolism As Well As The Concepts Of Birth, Rebirth, And Death Acceptance, This Story Builds A Claustrophobic Tension Between The Two Parents While Broadening The Vista Of Possibilities With The Appearance Of A Second Man. It Is Quietly Gorgeous And Being Terribly Terrifying.
The Concluding Story, You’ll Discover It’s Like That All Around, Is About Morals Against Morality, And How Cultural Pressure To Be Courteous Has Far-reaching Implications. In An Effort To Do The Right Thing, More Harm Is Typically Done, And The Cumulative Nature Of What Occurs After Discovering A Bit Of Bone In His Garden Will Haunt Both Him And The Reader.
You’re Never Quite Sure Where Eric Larocca Is Bringing You, And The Influence Each Tale Will Have On Your Sleeping Hours Will Vary From Reader To Reader, But You’re Perfectly Content To Let Him Take Your Hand And Lead You Down A Very Dark Alley, And When He Tells You To Open Your Eyes, Would You?
This Novella Is Short Enough To Read In One Sitting And Should Be Read In One Sitting. It’s Fine If You Need A Break From This Epistolary Tale Of Irresistible Passion And An Apple Peeler With A Colourful Past.
Agnes, A Young Woman Estranged From Her Family, Attempts To Sell Her Grandmother’s Peeler On An Online Lgbt Community Board In Order To Make Ends Meet And Pay Her Rent. Her Message Draws Zoe, Who Instantly Bonds With Agnes. Their Email And Instant Messaging Discussions Swiftly Devolve From The Old History’s Monetary Trade And Romanticism Into Something New, Unpleasant, And Unsettling.
After Saying That She “Believed She Could Grant Wishes,” Zoe Offers To Take Agnes Under Her Wing, Sending Her Monthly Rent Money (Who Could Refuse Such An Offer?) And Generally Care For Her. There Was No Resemblance Of Power Balance After This Deadly Move, And There Was No Turning Back.
Zoe’s Skill In These Areas Is Clear From How She Positioned Herself And How Fast She Leapt From Purchasing A Peeler To Establishing A Master/slave Relationship. She Meticulously Oversees Agnes’ Life, Dress, And Physique. She Imposes Rigorous Restrictions And Harsh Punishment. This Is Not Her First Experience As A Master. But She Wasn’t Prepared To Confront Agnes’ Even Larger Fixation – A Total, Fanatical Dedication To Helping Zoe, Even If It Meant Jeopardising Her Health And Welfare.
The Body Horror Components Reminded Me Of Matt Cardin’s “To Rouse Leviathan” Concept Of The Horror Of Birth. Two Bodies Feeding Off Each Other’s Obsession, Merging Into One To Create New Life And Force It Into Reality, Ignoring Its Will, Ignoring How Unnatural And Awful It Is. It Would Be A Cheap Oversimplification To View This Horrible Climax To The Narrative As A Simple Online “Stranger Danger” Precaution. Larocca Wonders Where We Go In Our Effort To Control Our Lives And The Lives Of Others, How Giving Up Power Seems Like Freedom And Safety, How Isolation, Both Social And Economic, Creates Misery, And How We Must Confront The Total Poison Of Motherhood, Biological Or Otherwise.
“Things Have Gotten Worse…” Is A Story That Is Firmly Rooted In The Time And Space In Which It Is Set – The Early 2000s United States When Everyone Still Believed In The Internet’s Potential To Connect People – But It Also Exists Outside Of Time And Space, Forever Trapped In Aol Chat Rooms And Email Chains. Since Then, Things Have Only Grown Worse.
Given The Centrality Of Obsession And Desire In The Novel, As Well As The Harshness Of The Aesthetics And Larocca’s Language, A Comparison To J.g. Ballard’s “Crash” Seemed Unavoidable. “Crash,” According To Jean Baudrillard, Is The “…first Great Book Of The World Of Simulation,” Uniting The Erotic And Technical In A Hyper-functional Crescendo. In “Things Have Grown Worse…”, Zoe And Agnes Never Really Meet. They Don’t Have To Because Larocca Goes Above And Beyond To Strip The Story Of “Glistening And Seductive” Elements (The “Bodily” And “Physical” Are Present But Non-essential To The Narrative) In Order To Get To The Essence Of Both The Sexual And Technological, Ultimately Delivering A Story From The Universe Of Simulacra.
The Deconstruction Of Brutally Abusive, All-consuming, Burning Yearning To Feel Real, To Be Able To Steer/manipulate Your Life (And Another Person’s Life) In A Path Of Your Choice, And The Impossibility To Go Back After You Have Already Tasted That Real Are Just As Expertly Articulated As In “Crash”. In Both Works, No Character, Even Those Who Survive, Escapes Undamaged Or Unmodified. Agnes And Zoe, Like Vaughn Before Them, Will Remain In The Back Of Your Mind For A Long Time, Presenting Questions You Don’t Want To Know The Answers To.
Beginning With A Cover Reminiscent Of Francis Bacon By Kim Jakobsson, To Ballardian Speed And Attention To Detail In The Narrative, To Cronenberg-like Surgical Precision And Fucked-up Tenderness In Body Horror Elements, Larocca’s “Things Have Gotten Worse Since We Last Spoke” Builds On The Foundations Laid Down By Horror Classics To Deliver Something Completely Unique And Unforgettable.
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