Paradise Lost Book 1 PDF Free Download

Paradise Lost Book 1 PDF Download Info

Paradise Lost Book 1 PDF Free Download, With Explanation Pdf, Line By Line Translation, Theme Of Pdf, Text, Invocation In Pdf, Lines 84-124.

Paradise Lost Book 1 PDF Free Download

Of Man’s First Disobedience And The Fruit Of That Prohibited Tree, Whose Mortal Tast Brought Death Into The World And All Our Woe, With Loss Of Eden. Satan Thinks About Corrupting God’s Loved New Creation, Mankind, Along With His Companions In The Rebel Angels. He Offers To Help And Gets Ready To Go. His Offspring, Sin And Death, Construct A Bridge Between Hell And Earth. He Arrives On Earth After Disguising Himself As A Cherub.

After A Long Day At Work, Adam And Eve Are Relaxing In Their Bower. At That Point, Satan Whispers In Eve’s Ear In The Shape Of A Serpent. Eve Commits The Sin When She Is Tempted To Eat From The Forbidden Tree Of Knowledge. And The Fall Of Man Is What Comes Next. Paradise Lost, Milton’s Magnum Opus, Expertly Balances Two Stories About Very Different Heroes—the Charismatic, Half-heroic Satan And The United Adam And Eve—by Weaving Them Together. The Epic Poem Is Still Widely Celebrated Today.

John Milton, An English Poet, Polemicist, Man Of Letters, And Civil Servant Under Oliver Cromwell’s Commonwealth Of England, Was Born In London In 1608.

In The Seventeenth Century, Milton Wrote. Civil Wars Separated Men From Earlier Lifestyles, And Religious Disputes Killed Much Of What Had Persisted In The National Imagination Since The Middle Ages Throughout This Century Of Transition To Our Modern Day. Milton, A Master Stylist And Experimenter, Used A Language Remarkable For Sustained Dignity In This Poem.

Paradise Lost Was Followed By Paradise Regained. It Was Released Concurrently With The Tragic Play Samson Agonistes. Milton Saw Life As A Struggle—the Puritan Struggle—for The Continued Existence Of The Righteous And The Good.

At The Age Of 65, Milton Passed Away From Kidney Failure In Bunhill, London, England In 1674.

Without Plastic Covers, The Book May Have Arrived With Damaged Pages, However It Arrived Undamaged. Every Book’s Synopsis Is Condensed For Easy Viewing. Approved!

When I Was Studying For My Ma In English, I Read It First. I’ve Always Like John Milton’s Poetry. Reading It Again And Feeling Nostalgic Is A Wonderful Feeling. A Reading I Enjoy.

Thank You To Maple Classics For Offering This Great Book At Such A Low Price. If You Are Unfamiliar With Classic Literature, The Language Is In Archaic English, Which May Be Challenging To Read At First. However, As You Go Further Into This Vast Body Of Literature, You Will Soon Discover The Pearls Hidden Inside These Shells Of Challenging Words.

Another Similarity I Noticed Was That Bengali Poet Michael Madhusudan Dutta Greatly Drew Inspiration From This Book And Used It As The Basis For His Epic Poem “Meghnad Vadh Kavya” In Bengali.

Before Buying This Book, I Had The Impression That It Would Be About Satan Emerging After His Fall From Heaven And That The Author Would Have Examined The Occurrences From His Perspective. However, This Is A Work Of Fiction Rather Than An Informational Or Analytical Narrative.

Paradise Lost Book 1 Summary

The Formal Declaration Of Milton’s Poem’s Subject, Humankind’s First Act Of Disobedience Against God And The Consequences That Resulted From It, Serves As The Opening Statement For Paradise Lost. The Act Is Described In Genesis, The First Book Of The Bible, As Adam And Eve Eating The Forbidden Fruit From The Tree Of Knowledge.

Milton Makes Fun Of Both The Literal Apple And The Figurative Fruits Of Adam And Eve’s Actions In The First Line When He Refers To The Result Of Their Sin As The “Fruit” Of The Forbidden Tree. According To Milton, This Original Sin Caused Death To Come To Humans For The First Time, Making Paradise Our Temporary Home Until Jesus Returns To Restore Humanity To Its Original State Of Purity.

Milton’s Speaker Calls Upon The Muse, A Mystical Source Of Poetic Inspiration, To Sing About These Subjects Through Him, But He Specifies That His Muse Inspired Moses To Receive The Ten Commandments And Write Genesis, Making It Clear That He Refers To A Different Muse From The Muses Who Traditionally Inspired Classical Poets. Milton’s Inspiration, Not One Of The Nine Classical Muses Who Live On Mount Helicon (Also Known As The “Aonian Mount” Of I.15), But The Holy Spirit, Who Provided The Inspiration For The Christian Bible.

Because His Source Of Inspiration Is Greater Than Theirs, He Claims That His Poem, Like His Muse, Would Do Things That Have Never Been Attempted Before And Fly Beyond Those Of The Classical Poets. Then, Since The Holy Spirit Was The Driving Force Behind The Creation Of The Universe, He Invokes It And Begs It To Fill Him With Knowledge Of Its Inception.

The Speaker In Milton States That He Want To Be Inspired By This Sacred Knowledge In Order To Demonstrate To His Fellow Men That The Fall Of Humanity Into Sin And Death Was A Necessary Component Of God’s Larger Plan And That God’s Plan Is Justified.

Paradise Lost Book 1 Analysis

With A Prologue That Invokes The Muse, In This Case Urania, The Muse Of Astronomy, Milton Begins Paradise Lost In The Traditional Epic Style. The “Heav’nly Muse,” As He Refers To Her, Is The Subject Of His Song “Of Man’s First Disobedience” (1), Which Tells The Tale Of Adam And Eve’s Fall From Grace. It Becomes Clear As The Prologue Goes On That This Muse Is More Than Just The Classical Urania;

She Is Also A Christian Muse Who Resides On Mount Sinai, The Holy Spirit. Thus, Milton Incorporates Elements From Two Traditions Into These Opening Lines: The Classical Epic As Shown By Homer And Virgil; And The Christian Tradition As Reflected In The Bible, Dante’s Divine Comedy, Edmund Spenser’s The Faerie Queene, Among Other Works.

Milton Emphasises In The Prologue That His Theme Will Be Man’s Disobedience To God’s Will, Which Implies That Not Just Adam But All Of Humanity From The Beginning To The End Have Disobeyed. He Does Add That The “Greater Man” (4) Who Delivered Everyone Else From The First Disobedience Will Be Included In His Subject. Additionally, His Goal Is To Use “Eternal Providence” To “Justify The Ways Of God To Men” (26). (25). Milton Uses The Word “Justify” To Mean More Than Just An Explanation; He Also Intends To Show That God’s Treatment Of Man Is Just.

This Objective Implies That Milton Was Unconcerned By Any Sense Of False Modesty, Which Is Shown By His Declaration That He Would Write In A High Style And Attempt A Hitherto Untried Goal. Milton’s Request To The Muse To “What In Me Is Dark / Illumine” (Lines 22–23) Is The Only Really Poignant Line In This Prologue. Milton Will Address This Issue More Directly In The Prologue That Opens Book Iii. Milton Makes No Mention Of Satan In This Prologue Or Invocation, Despite The Fact That He Serves As The Poem’s Main Character But Is Not The Poem’s Actual Subject.

Milton Continues Writing In The Epic Style After The Invocation And Prologue By Starting In Medias Res, Or In The Middle Of Things. First, Satan Is Seen Lying At The Bottom Of Hell. It Is Undoubtedly Surprising And A Bit Of A Risk On Milton’s Part That A Great Religious Epic Focuses On Satan, Presents Him First, And In Many Ways Makes Him The Hero Of The Poem. Milton Does Not Want His Readers To Identify With Satan, Despite The Fact That He Is A Compelling Figure Who Is Up Against Overwhelming Odds.

Of Course, Milton’s Original Audience Would Have Been More Aware Of The Ironies Involved In Satan’s Battles And His Remarks About Power Than His Contemporary Audience. The Authority That Satan Claims And Believes He Has Is Fictitious. Only God Can Give Him The Ability To Act, And His Battle With God Is Already Lost. The Original Audience Was Aware—as Milton’s Lines Confirm—that Satan’s War With God Had Already Been Decisively Lost Before The Poem Begins. To The Modern Audience, Satan May Seem Heroic As He Battles To Create A Heaven Out Of Hell. Satan And The Other Demons Are Given The Authority To Act On God’s Behalf, Not Their Own.

Additionally, Satan Is At His Most Attractive At This Point In The Story. The Closest Angel To God, He Has Just Fallen From Heaven. He Still Has Some Of The Angelic Aura He Had In Heaven. The Reader Will See That Satan’s Personality And Appearance Deteriorate As The Poem Goes On. Milton’s Work Is Thoughtfully Organised To Demonstrate The Effects Of Satan’s Actions.

Although In This List, The Villains Are Listed, The Catalogue Of Demons That Comes After Satan’s Escape From The Burning Lake Follows An Epic Pattern Of Listing Heroes. This Particular Catalogue Seems To Be A Deliberate Parody Of Book Ii Of The Iliad’s List Of Greek Ships And Heroes.

Since Many Of The Gods Of Paganism Were Originally Among The Angels Who Rebelled Against God, Milton Uses The Catalogue As A Way To Both List Many Of The Fallen Angels And Explain Why They Are Present In Those Religions. As A Result, The Reader May Associate Names Like Isis, Osiris, Baal, And Others With Ancient, Pagan Beliefs Rather Than Christianity While Considering This Group Of Fallen Angels. The Two Most Significant Demons On The List Are Beelzebub And Belial. (See The List Of Characters For A Detailed Description Of Each Devil.)

The Construction Of Pandemonium, The Capital Of Hell, Is The Last Chapter Of Book I. This Chapter Of Book I And Mammon’s Argument In Book Ii Both Include A Certain Amount Of Unintentional Humour. In Both Instances, The Devils Seem To Be Overcome By A Sense Of Civic Pride And Act On The Principle That “Hell Is Bad, But With A Few Improvements We Can Make It Lots Better, Even Attractive.” The Mayor Of The Little Town That Was Bypassed By The Interstate Expresses His Attitude In Both Mammon And The Hellish Architect, Mulciber. Both Of Them Seem To Believe That With Improvements, Hell May Become Nice Enough For People To Want To Relocate.

However, Milton’s True Intention In This Passage Is To Establish Pandemonium As The Capital Of Hell, A Term He Invented From The Latin Words Pan (All) And Demonium (Demons). As A Result, The Location Of All Demons Is Literally The Capital Of Hell. The Term Eventually Came To Refer To Any Location With Extreme Chaos, Commotion, And Confusion. By Selecting Mulciber As The Architect, Milton Subtly Emphasises This Idea. Hephaestus, The Greek God Of The Forge, Was Also Known As Mulciber. A Drunken Zeus Threw Him From Mount Olympus. Therefore, Mulciber Is An Object Of Some Ridicule And Not The Most Likely Architect To Create A Lasting Monument.

There Is One More Aspect Of Pandemonium’s Construction That Deserves Your Attention. In Their Search For Building Materials, Mammon And The Other Devils Come Upon Mineral Resources, Including Gemstones. This Resource Discovery Indicates That The Hell Milton Has Imagined Is A Complex Place. Hell Seems To Be A Place Of Ferocious Torture And Ugliness In The Opening Scene As Satan And The Others Lie Chained On The Burning Lake.

The Creation Of Pandemonium Demonstrates That Hell Is Not All There Is. Hell Seems To Include Geographical Characteristics Like A Plain And A Hill, Mineral Resources Like Gemstones, And Even The Potential For Beauty. Later Books Will Explore Further Aspects Of Hell. Overall, Milton Paints A Picture Of Hell That, At Least In The First Few Books, Seems To Have More Than One Essence.