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Is Evil Something You Are? Or Is It Something You Do?patrick Bateman Has It All: Good Looks, Youth, Charm, A Job On Wall Street, Reservations At Every New Restaurant In Town And A Line Of Girls Around The Block. He Is Also A Psychopath.
A Man Addicted To His Superficial, Perfect Life, He Pulls Us Into A Dark Underworld Where The American Dream Becomes A Nightmare . . . American Psycho Is One Of The Most Controversial And Talked-about Novels Of All Time. A Multimillion-copy Bestseller Hailed As A Modern Classic, It Is A Violent Black Comedy About The Darkest Side Of Human Nature.
International Bestseller • In This Modern Classic, The Acclaimed New York Times Bestselling Author Explores The Incomprehensible Depths Of Madness And Captures The Insanity Of Violence In Our Time Or Any Other.
Patrick Bateman Moves Among The Young And Trendy In 1980s Manhattan. Young, Handsome, And Well Educated, Bateman Earns His Fortune On Wall Street By Day While Spending His Nights In Ways We Cannot Begin To Fathom.
Expressing His True Self Through Torture And Murder, Bateman Prefigures An Apocalyptic Horror That No Society Could Bear To Confront.“a Masterful Satire And A Ferocious, Hilarious, Ambitious, Inspiring Piece Of Writing, Which Has Large Elements Of Jane Austen At Her Vitriolic Best. An Important Book.” —katherine Dunn, Bestselling Author Of Geek Love.
Bret Easton Ellis Is The Author Of Less Than Zero, The Rules Of Attraction, American Psycho, The Informers, Glamorama, Lunar Park, And Imperial Bedrooms. His Works Have Been Translated Into Twenty-seven Languages. Less Than Zero, The Rules Of Attraction, American Psycho, And The Informers Have All Been Made Into Films. He Lives In Los Angeles.
This Books Has A Dark Cynical Sense Of Humor. This Is Basically Being A Troll And Edgy Before The Internet. However, There’s A Lot Of Psychological And Sociological Insights With Profound Hidden Behind All The Edgy And Cool Persona.
Patrick Bateman is twenty-six and he works on Wall Street, he is handsome, sophisticated, charming and intelligent. He is also a psychopath. Taking us to head-on collision with America’s greatest dream—and its worst nightmare—American Psycho is bleak, bitter, black comedy about a world we all recognise but do not wish to confront.
Celebrating Fifty Years Of Picador Books I Like To Dissect Girls. Did You Know I’m Utterly Insane? Patrick Bateman Has It All: Good Looks, Youth, Charm, A Job On Wall Street, And Reservations At Every New Restaurant In Town.
He Is Also A Psychopath. A Man Addicted To His Superficial, Perfect Life, He Pulls Us Into A Dark Underworld Where The American Dream Becomes A Nightmare . . . With An Introduction By Irvine Welsh, Bret Easton Ellis’s American Psycho Is One Of The Most Controversial And Talked-about Novels Of All Time.
A Multi-million-copy Bestseller Hailed As A Modern Classic, It Is A Violent And Outrageous Black Comedy About The Darkest Side Of Human Nature. Part Of The Picador Collection, A Series Showcasing The Best Of Modern Literature.
American Psycho, Novel By Bret Easton Ellis, Published In 1991. A Successful Movie Version Of The Novel, Starring Christian Bale In The Lead Role, Appeared In 2000.
American Psycho Is, Above All, An Ugly Book. It Is An Extraordinarily Graphic Description Of Obscene Violence, Which Is Spliced With Reviews Of Music By Phil Collins And Whitney Houston, And With Endless, Repetitive Descriptions Of 1980s Main Street Fashion. The Novel’s Protagonist, Patrick Bateman, Is A Psychopath Who Also Works On Wall Street.
He Conducts Business Meetings, Goes To Upmarket Restaurants, And Commits Rape And Murder. The Novel Registers No Difference Between These Activities. Depravity, It Suggests, Is So Finely Woven Into The Fabric Of Contemporary Life That It Is No Longer Possible To See It Or Depict It, To Know When Capitalism Stops And Brutalization Begins.
There Is No Attempt To Take A Moral Stance On Bateman, Or The Culture To Which He Belongs. But The Extremity Of The Violence, Coupled With The Uninflected Way In Which It Is Described, Produces A Strange, Ethereal Dimension To The Writing, Which Is As Close As The Novel Can Come To An Ethics, Or To An Aesthetic.
As Bateman Struggles To Understand Why He Has Been Summoned To This Particular Damnation, He Is Unable To Formulate To Himself His Own Misery, Or His Own Confusion. As A Result, The Novel Produces A Longing For Ethical Certainty, For Some Kind Of Clear Perspective On A Culture That Has Become Unreadable, And Unthinkable. This Is A Longing That Speaks Of A Kind Of Innocence, Even In The Midst Of Depravity, And For This Reason Alone, American Psycho Must Continue To Be Read.
Novel, An Invented Prose Narrative Of Considerable Length And A Certain Complexity That Deals Imaginatively With Human Experience, Usually Through A Connected Sequence Of Events Involving A Group Of Persons In A Specific Setting. Within Its Broad Framework, The Genre Of The Novel Has Encompassed An Extensive Range Of Types And Styles: Picaresque, Epistolary, Gothic, Romantic, Realist, Historical—to Name Only Some Of The More Important Ones.
The Novel Is A Genre Of Fiction, And Fiction May Be Defined As The Art Or Craft Of Contriving, Through The Written Word, Representations Of Human Life That Instruct Or Divert Or Both. The Various Forms That Fiction May Take Are Best Seen Less As A Number Of Separate Categories Than As A Continuum Or, More Accurately, A Cline, With Some Such Brief Form As The Anecdote At One End Of The Scale And The Longest Conceivable Novel At The Other.
When Any Piece Of Fiction Is Long Enough To Constitute A Whole Book, As Opposed To A Mere Part Of A Book, Then It May Be Said To Have Achieved Novelhood. But This State Admits Of Its Own Quantitative Categories, So That A Relatively Brief Novel May Be Termed A Novella (Or, If The Insubstantiality Of The Content Matches Its Brevity, A Novelette), And A Very Long Novel May Overflow The Banks Of A Single Volume And Become A Roman-fleuve, Or River Novel. Length Is Very Much One Of The Dimensions Of The Genre.
The Term Novel Is A Truncation Of The Italian Word Novella (From The Plural Of Latin Novellus, A Late Variant Of Novus, Meaning “new”), So That What Is Now, In Most Languages, A Diminutive Denotes Historically The Parent Form. The Novella Was A Kind Of Enlarged Anecdote Like Those To Be Found In The 14th-century Italian Classic Boccaccio’s Decameron, Each Of Which Exemplifies The Etymology Well Enough. The Stories Are Little New Things, Novelties, Freshly Minted Diversions, Toys;
They Are Not Reworkings Of Known Fables Or Myths, And They Are Lacking In Weight And Moral Earnestness. It Is To Be Noted That, Despite The High Example Of Novelists Of The Most Profound Seriousness, Such As Tolstoy, Henry James, And Virginia Woolf, The Term Novel Still, In Some Quarters, Carries Overtones Of Lightness And Frivolity.
And It Is Possible To Descry A Tendency To Triviality In The Form Itself. The Ode Or Symphony Seems To Possess An Inner Mechanism That Protects It From Aesthetic Or Moral Corruption, But The Novel Can Descend To Shameful Commercial Depths Of Sentimentality Or Pornography. It Is The Purpose Of This Section To Consider The Novel Not Solely In Terms Of Great Art But Also As An All-purpose Medium Catering For All The Strata Of Literacy.
Such Early Ancient Roman Fiction As Petronius’ Satyricon Of The 1st Century Ad And Lucius Apuleius’ Golden Ass Of The 2nd Century Contain Many Of The Popular Elements That Distinguish The Novel From Its Nobler Born Relative The Epic Poem. In The Fictional Works, The Medium Is Prose, The Events Described Are Unheroic, The Settings Are Streets And Taverns, Not Battlefields And Palaces.
There Is More Low Fornication Than Princely Combat; The Gods Do Not Move The Action; The Dialogue Is Homely Rather Than Aristocratic. It Was, In Fact, Out Of The Need To Find—in The Period Of Roman Decline—a Literary Form That Was Anti-epic In Both Substance And Language That The First Prose Fiction Of Europe Seems To Have Been Conceived.
The Most Memorable Character In Petronius Is A Nouveau Riche Vulgarian; The Hero Of Lucius Apuleius Is Turned Into A Donkey; Nothing Less Epic Can Well Be Imagined.
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